“Who Can It Be Now?” is a song recorded by Australian band Men at Work. It was first released as a single in Australia in June 1981, prior to the recording of their 1981 debut album Business as Usual, on which the track was later included.
“Who Can It Be Now?” reached No. 2 on the Australian singles chart in August that year, and also hit No. 45 in New Zealand. Released in Canada in early 1982, the track peaked at No. 8 in late July. This spurred an American release of the song, and the single, by then well over a year old, went on to hit No. 1 in the US in October 1982. “Who Can It Be Now?” was also a modest hit in the UK, reaching No. 45. As one of the Men at Work’s biggest hits, it was featured on their later compilation albums, and a live version can be found on Brazil. The song remains a popular symbol of new wave music and has been featured on numerous 1980s compilations. The band performed both this song and “Down Under” live on Saturday Night Live on 23 October 1982.
Around 1979, lead vocalist Colin Hay wrote the music for “Who Can It Be Now” in a tree house he and his girlfriend made in Bermagui, New South Wales. The lyrics would not come until 1981, when Hay was living in an apartment complex in St Kilda, Victoria. He lived next to drug dealers, and people would often confuse Hay’s apartment for the dealers’. The number of people that would knock on his door unnerved him to the point where he was scared to open his door, regardless of who was there. At the time, Hay was also anxious about his music career, which had yet to take off. In a 2015 interview, Hay explained: “I was trying to get out of the situation I was in, which is that I didn’t really have any money…It seemed at that particular time everyone who knocked on my door wanted something from me that I either didn’t have or didn’t want to give them. That could be money, or it could simply be time that I didn’t want to give them.”
Men at Work began recording their debut album Business as Usual, which featured “Who Can It Be Now”, in 1981 with producer Peter McIan. The song opens with a saxophone hook by Greg Ham; Hay had originally written the saxophone section later in the song, but McIan suggested moving the hook to the introduction. While recording the song, McIan wanted a saxophone solo and told Ham to play anything just to get the sound. McIan used Ham’s improvised composition as the solo in the song.
David Fricke of Rolling Stone commended it by noting “Ham’s blowsy sax and the rousing chorus of voices raised in alcoholic harmony spark the rugged boogie of ‘Who Can It Be Now?'” AllMusic’s Stephen Thomas Erlewine called the song an “excellent single that merged straight-ahead pop/rock hooks with a quirky new wave production and an offbeat sense of humor.” Heather Phares reviewed the song specifically and summed up by saying “In keeping with current trends but just quirky enough to be instantly memorable, the song seems custom-built for repeated play; it’s easy to see why it became one of 1982’s biggest hits, as well as a definitive new wave single.” By contrast, Barney Hoskyns of NME called it an “abomination”.
“Down Under” is a song recorded by Australian rock band Men at Work. It was originally released in 1980 as the B-side to their first local single titled “Keypunch Operator”, released before the band signed with Columbia Records. Both early songs were written by the group’s co-founders, Colin Hay and Ron Strykert. The early version of “Down Under” has a slightly different tempo and arrangement from the later Columbia release. The most well known version was then released on Columbia in October 1981 as the third single from their debut album Business as Usual (1981).
The hit song went to number one in their home country of Australia in December 1981, and then topped the New Zealand charts in February 1982. The song topped the Canadian charts in October 1982. In the United States, the song debuted on the Billboard Hot 100 on 6 November 1982 at No. 79, and reached No. 1 in January 1983 where it spent four non-consecutive weeks. It eventually sold over two million copies in the US alone. Billboard ranked it at No. 4 for 1983.
In the UK, the song topped the charts in January and February 1983, and is the only Men at Work song to make the UK top 20. The song also went to No. 1 in Denmark, Ireland, Italy and Switzerland, and was a top 10 hit in many other countries. “Down Under” is perceived as a patriotic song in Australia; it remains popular and is often played at sporting events.
The lyrics to Down Under depict an Australian man travelling the globe, who meets people who are interested in his home country. The story is based in part on singer Colin Hay’s own experiences, including a prominent reference to a Vegemite sandwich (a popular snack in Australia), which derived from an encounter, during Hay’s travels abroad, with a baker who emigrated from Brunswick, Melbourne. Hay has also said that the lyrics were partly inspired by Barry Humphries’ character Barry McKenzie, a comically stereotypical Australian who tours abroad.
Slang and drug terms are featured in the lyrics. They open with the singer travelling in a fried-out Kombi, on a hippie trail, head full of zombie. In Australian slang “fried-out” means overheated, Kombi refers to the Volkswagen Type 2 combination van, and having “a head full of zombie” refers to the use of a type of marijuana. Hippie trail refers to a subcultural tourist route popular in 1960s and 70s which stretched from Western Europe to South-East Asia. The song also contains the refrain, where beer does flow and men chunder. To “chunder” means to vomit.
Speaking to Songfacts about the overall meaning of the lyrics, Hay remarked:
“The chorus is really about the selling of Australia in many ways, the overdevelopment of the country. It was a song about the loss of spirit in that country. It’s really about the plundering of the country by greedy people. It is ultimately about celebrating the country, but not in a nationalistic way and not in a flag-waving sense. It’s really more than that.” The promotional video comically plays out the events of the lyrics, showing Hay and other members of the band riding in a VW van, eating muesli with a ‘strange lady’, eating and drinking in a café, and lying in an opium den. The band are moved along at one point by a man in a shirt and tie who places a ‘Sold’ sign in the ground. The exterior shots for the music video were filmed at the Cronulla sand dunes in Sydney. The band are seen carrying a coffin across the dunes at the end. This, Hay has explained, was a warning to his fellow Australians that their country’s identity was dying as a result of overdevelopment and Americanization. Hay has also stated that the same ominous sentiment lies behind the choral line, Can’t you hear that thunder? You’d better run; you’d better take cover.
The song is a perennial favourite on Australian radio and television, and topped the charts in the US and UK simultaneously in early 1983. It was later used as a theme song by the crew of Australia II in their successful bid to win the America’s Cup in 1983, and a remixed version appears during the closing credits of Crocodile Dundee in Los Angeles. Men at Work played this song in the closing ceremony of the 2000 Summer Olympics in Sydney, alongside other Australian artists.
In May 2001, Australasian Performing Right Association (APRA) celebrated its 75th anniversary by naming the Best Australian Songs between 1926 and 2001, as decided by a 100 strong industry panel, “Down Under” was ranked as the fourth song on the list.
The song was ranked number 96 on VH1’s 100 Greatest Songs of the 1980s in October 2006.
In 2007, on the ABC-TV quiz show Spicks and Specks the question was posed “What children’s song is contained in the song Down Under?” The answer, “Kookaburra”, a song whose rights were owned by Larrikin Music, resulted in phone calls and emails to Larrikin the next day. Larrikin Music subsequently decided to take legal action against the song’s writers Colin Hay and Ron Strykert.
Sections of the flute part of the recording of the song were found to be based on “Kookaburra”, written in 1932 by Marion Sinclair. Sinclair died in 1988 and the rights to the Kookaburra song were deemed to have been transferred to publisher Larrikin Music on 21 March 1990. In the United States, the rights are administered by Music Sales Corporation in New York City.
In June 2009, 28 years after the release of the recording, Larrikin Music sued Men At Work for copyright infringement, alleging that part of the flute riff of “Down Under” was copied from “Kookaburra”. The counsel for the band’s record label and publishing company (Sony BMG Music Entertainment and EMI Songs Australia) claimed that, based on the agreement under which the song was written, the copyright was actually held by the Girl Guides Association. On 30 July, Justice Peter Jacobson of the Federal Court of Australia made a preliminary ruling that Larrikin did own copyright on the song, but the issue of whether or not Hay and Strykert had plagiarised the riff was set aside to be determined at a later date.
On 4 February 2010, Justice Jacobson ruled that Larrikin’s copyright had been infringed because “Down Under” reproduced “a substantial part of Kookaburra”.
When asked how much Larrikin would be seeking in damages, Larrikin’s lawyer Adam Simpson replied: “anything from what we’ve claimed, which is between 40 and 60 per cent, and what they suggest, which is considerably less.” In court, Larrikin’s principal Norman Lurie gave the opinion that, had the parties negotiated a licence at the outset as willing parties, the royalties would have been between 25 and 50 per cent. On 6 July 2010, Justice Jacobson handed down a decision that Larrikin receive 5% of royalties from 2002. In October 2011, the band lost its final court bid when the High Court of Australia refused to hear an appeal.
Until this high-profile case, “Kookaburra”‘s standing as a traditional song combined with the lack of visible policing of the song’s rights by its composer had led to the general public perception that the song was within the public domain.
The revelation of “Kookaburra”‘s copyright status, and more so the pursuit of royalties from it, has generated a negative response among sections of the Australian public. In response to unsourced speculation of a Welsh connection, Dr Rhidian Griffiths pointed out that the Welsh words to the tune were published in 1989 and musicologist Phyllis Kinney stated neither the song’s metre nor its lines were typical Welsh.
Colin Hay has since suggested that the deaths of his father, Jim, in 2010, and of Men at Work flautist Greg Ham in 2012 were directly linked to the stress of the court case.