Hey You (as made famous by Bachman-Turner-Overdrive)

“Hey You” is a song written by Randy Bachman, and was first recorded by Canadian rock group Bachman–Turner Overdrive (BTO) for their 1975 album Four Wheel Drive. The lead vocal is provided by Randy. It was the first and more successful of two singles issued from the LP, the second being “Quick Change Artist”, which was a relative commercial failure. “Hey You” was the second BTO single to hit number 1 on the Canadian RPM chart, following “You Ain’t Seen Nothing Yet”. It held the top position on the RPM chart for two weeks in June 1975. The song peaked at number 21 on the US Billboard Hot 100 on July 5, 1975.[1]

Rumors circulated that Randy Bachman directed the lyrics of “Hey You” at former bandmate Burton Cummings, who had publicly stated that Bachman would never make it in the music business again following his departure from The Guess Who. Randy confirmed the rumors in interviews years later, stating: “I deserved to gloat a bit after all the mud Burton had slung at me.”[2]

Takin’ Care Of Business (as made famous by Bachman-Turner-Overdrive)

“Takin’ Care of Business” is a song written by Randy Bachman and first recorded by Canadian rock group Bachman–Turner Overdrive (BTO) for their 1973 album Bachman–Turner Overdrive II.

Randy Bachman had developed what would later become “Takin’ Care of Business” while still a member of The Guess Who. His original idea was to write about a recording technician who worked on The Guess Who’s recordings. This particular technician would take the 8:15 train to get to work, inspiring the lyrics “take the 8:15 into the city.”

In the early arrangement for the song, which had the working title “White Collar Worker”, the chorus riff and vocal melody were similar to that of The Beatles’ “Paperback Writer”. When Bachman first played this version for Burton Cummings, Cummings declared that he was ashamed of him and that The Guess Who would never record the song because the Beatles would sue them.[1]

Bachman still felt like the main riff and verses were good, it was only when the song got to the chorus that everyone hated it. While BTO was still playing smaller venues in support of its first album, Bachman was driving into Vancouver, British Columbia for a gig and listening to the radio when he heard local DJ Daryl B’s catch phrase “We’re takin’ care of business.” Lead vocalist Fred Turner’s voice gave out before the band’s last set that night. Bachman sang some cover songs to get through the last set, and on a whim, he told the band to play the C, B-flat and F chords (a I-VII-IV progression) over and over, and he sang “White Collar Worker” with the new words “Takin’ Care of Business” inserted into the chorus.[1]

After this, he rewrote the lyrics to “White Collar Worker” with a new chorus and the title “Takin’ Care of Business”. Along with this he wrote a revised guitar riff, which was the I-VII-IV progression played with a shuffle. Bachman says he then handed over the lyrics to Fred Turner with the thought that Turner would sing the lead vocal. But Turner handed them back, saying Randy should sing the lead as it would give himself a needed vocal break when the band performed live.[2]

The song was recorded by Bachman–Turner Overdrive for their second album Bachman–Turner Overdrive II. It reached number 12 on the US Billboard Hot 100 (August 10, 1974), number 6 on the Cash Box Top 100, and number 3 on the Canadian RPM charts, and would become one of BTO’s most enduring and well-known songs. “Takin’ Care of Business” spent 20 weeks on the Billboard Hot 100, longer than any other BTO single.[3]

The original studio version, recorded at Kaye-Smith Studios in Seattle, Washington, features prominent piano, played by Norman Durkee. Durkee was recording commercials in the next studio when sound engineer Buzz Richmond asked him to play on “Takin’ Care of Business”. With paid-by-the-hour musicians waiting, Durkee had only a few minutes to spare. Quickly conferring with Randy Bachman, he scribbled down the chords, and, without listening to the song beforehand, recorded the piano part in one take.[4] The fact that Durkee wrote the chords down on a pizza box may have been the source of the long-standing myth – mischievously propagated by band members – that the part had been played by a pizza deliveryman who had heard the track being played back, and then cajoled the band into giving him a chance to add piano to it.[5]

In 2011, Bachman said it was the most licensed song in Sony Music’s publishing catalogue.[6] It is often referred to as “the Provincial rock anthem of Manitoba.” Bachman himself uses the song as the theme song for his CBC Radio music show, Vinyl Tap.

Randy Bachman – lead guitar, lead vocals
Tim Bachman – second lead guitar, backing vocals
Fred Turner – bass, backing vocals
Robbie Bachman – drums, percussion
Norman Durkee – piano

You Ain’t Seen Nothing Yet (as made famous by Bachman-Turner-Overdrive)

“You Ain’t Seen Nothing Yet” is a rock song written by Randy Bachman and first performed by Bachman–Turner Overdrive (BTO) for the album Not Fragile (1974). It was released as a single in 1974 with an instrumental track “Free Wheelin'” as the B-side. It reached the number one position on the Billboard Hot 100 singles chart and the Canadian RPM chart the week of November 9, 1974, as well as earning the band their only major hit single in the United Kingdom, peaking at #2 on the UK Singles Chart, although the follow-up single, “Roll on Down the Highway”, was also a minor UK hit[1].

The lyrics for the song tell of the singer meeting a “devil woman” who gives him love. The chorus of the song includes the song’s famous stutter and speaks of her looking at him with big brown eyes and [saying] ‘You ain’t seen nothin’ yet. B-, b-, b-, baby, you just ain’t seen na, na, nothin yet. Here’s somethin’ that you’re never gonna forget. B-, b-, b-, baby, you just ain’t seen na, na, nothin yet.’

“You Ain’t Seen Nothing Yet” was written by Randy Bachman. In The Rolling Stone Record Guide, writer Dave Marsh called the song “a direct steal from The Who”, but “an imaginative one.”[2] The chords of the chorus riff are very similar to the ones used by The Who in their song “Baba O’Riley”, and also, the stuttering vocal is reminiscent of “My Generation”. Randy insists that the song was performed as a joke for his brother, Gary, who had a stutter, with no intention of sounding like “My Generation”.[3] They only intended to record it once with the stutter and send the only recording to Gary.

Randy developed the song while recording BTO’s third album, Not Fragile (1974). It began as an instrumental piece inspired by the rhythm guitar of Dave Mason. Randy says “it was basically just an instrumental and I was fooling around… I wrote the lyrics, out of the blue, and stuttered them through.” The band typically used the song as a “work track” in the studio to get the amplifiers and microphones set properly.[4]

But when winding up production for the album, Charlie Fach of Mercury Records said the eight tracks they had lacked the “magic” that would make a hit single. Some band members asked Randy, “what about the work track?” Randy reluctantly mentioned that he had this ninth song, but didn’t intend to use it on a record. He said, “We have this one song, but it’s a joke. I’m laughing at the end. I sang it on the first take. It’s sharp, it’s flat, I’m stuttering to do this thing for my brother.”[3]

Fach asked to hear it, and they played the recording for him. Fach smiled and said “That’s the track. It’s got a brightness to it. It kind of floats a foot higher than the other songs when you listen to it.”[3]

Bachman agreed to rearrange the album sequence so the song could be added, but only if he could re-record the vocals first, without the stutter. Fach agreed, but Bachman says “I tried to sing it normal, but I sounded like Frank Sinatra. It didn’t fit.” Fach said to leave it as it was, with the stutter.[3]

While not originally intended to be a single, “You Ain’t Seen Nothing Yet” was becoming a hit as an album cut. Radio stations all over the USA were giving it a great deal of airplay, as Not Fragile (1974) was soaring up the album charts. So much so that Bachman was embarrassed because he thought it was a stupid song, just something that he wrote as a joke.[3]

With no singles yet released from the Not Fragile album, Fach would regularly call Randy with airplay reports, asking for permission to release “You Ain’t Seen Nothing Yet”. Bachman said, “And I refused for three weeks. I was producer, so I had final say on what went out. I woke up one day and asked myself, ‘Why am I stopping this?’ Some of my favorite records are really dumb things like ‘Louie, Louie’…so I said to Charlie, ‘O.K., release it. I bet it does nothing.'”[3]

“You Ain’t Seen Nothing Yet” debuted at number 65 on September 21, 1974 and shot to the top of the Hot 100 seven weeks later. It was the only US number 1 single in BTO’s history. (While in The Guess Who, Randy had penned only one other chart-topper, “American Woman”, which hit number 1 in 1970.)[3]

“You Ain’t Seen Nothing Yet” also holds the record for falling farthest on the chart before returning to the Top 10. After falling to number 34 two weeks after being in the number 1 spot, it jumped back to number 8 for two weeks, largely because of interest in the flip side, an instrumental called “Free Wheelin'”. The song is not listed in Billboard’s Top 100 singles of 1974 despite having reached number 1 within the time period covered by the chart, and is listed as the number 98 song of 1975. Its absence from the 1974 list and low placing on the 1975 list is due to its rapid ascent to number 1 and rapid descent from number 1 before re-peaking at number 8 meaning its chart points were not focused within either the 1974 or 1975 chart periods.

In Canada, the single also reached number 1 and won the 1976 Juno Award for best-selling single.[5]

In the UK it reached number 2, kept off the top of the charts by “Lonely This Christmas” by Mud. It was later introduced to a new generation of fans in the UK when a remixed version was used as the theme tune to the ITV network’s coverage of Formula One grand prix motor racing between 2003 and 2005, resulting in increased radio airplay for the original song in the UK during that period.